Architectural Influences Part II: British weather boarding origins and evolution overseas

PDP_Architectural Influences

Fernando Collado Lopez, from the PDP Design Team, writes about how 17th Century British architectural influences plus construction and engineering techniques boosted timber construction in the second part of a two-part article on English heritage in Southern Spain.

When it comes to weight, cost, upcycling and prefabrication, timber construction is at the top of the list.

From 17th Century Great Britain, new engineering techniques and tools boosted timber construction until the great fires of London pushed for the introduction of brick and mortar as the new standard.

Having a closer look at the construction scenario at the time, we could narrow down the timber construction types to a) Cruck House, b) Square Frame, c) Ornament house, d) Cladding house and e) The Weather-boarded house. The latter type was chosen for Punta Humbria in Spain.

Weather-boarding was widespread by the end of the XVIII century in Hampshire, Berkshire and Essex and in some areas of Pembrokeshire and Herefordshire. The construction method was composed of boards of a standard length and uneven thickness so the bottom of the boards was thicker than the top which was fixed back, by wooden pins early on, and later on replaced by copper nails; copper which was often extracted at the mine in Huelva.

Due to their resistance to decay and durability, oak and cedar were the preferred timber. Later on, cheaper timbers were also used but these had to be treated with a coat of tar, like the original fishermen’s houses in the southern coast of England. 

As mentioned earlier, the weather-board house type was rapidly replaced by brick and mortar in the UK, but it was still in widespread use across the Atlantic in North America.

This expansion on the American continent and the use of cheaper timber types, created the need for a protective coating for the timber. As a result of this, in London dozens of white lead paint factories sprung up across the river Thames to provide for the market.

In Huelva, this light, cheap and versatile construction method was implemented and altered with elements influenced by practices in the western colonies, so porches and verandas were added as well as stilt structures lifting the house above ground level, reminding the company officers of their colonial bungalows in the tropics.

Stilts and verandas suited the dunes and the maritime context on which the buildings where erected, so the concept was adopted rapidly and developed further by their inhabitants and by J.Clayton in 1957 for the Rio Tinto company. Making them perhaps better suited to the local weather by enclosing some of the verandas and adding new internal partitions.

Sadly, today none of the buildings erected have survived. But the character, and typology still resonates perhaps on the still existing beach bars ‘chiringuitos’ dotted across the southern coast of Spain. 

architectural images

Below: Original layout (Left) Re-designed layout (Right)

Fernando Collado Lopez is an ARB registered architect who joined Planning & Design Practice in February 2019. Previously working in the private sector in a variety of practices and locations including United States of America, Spain and London.

British and Colonial architectural influences in southwest Spain

PDP_Architectural influences Southwest Spain

Centuries of mining on the sunny southwestern coast of the Iberian Peninsula has left an interesting legacy of colonial architectural influences in Spain, writes Fernando Collado Lopez, the newest member of our Design Team, in the first of a two-part article.

Minerals in the Rio Tinto (Burgundy river) area of southern Spain close to the border with Portugal have been exploited since ancient times and are amongst the oldest mines in Europe. Tartessians, Phoenicians and later on Roman mining activity represented a golden age of mining activity in the region but this later faded away under Visigotic and Arabic periods until the middle of the 19th century by which point activity had almost ceased. 

However, after the discovery of new mines in the second half of the 19th century British, French and German enterprises cast their eyes over the region, buying and reopening existing mines and creating new ones. A new railway, docks and associated infrastructure were quickly built, transforming the local economy and profoundly affecting the regional style of architecture. 

The Tharsis Sulphur and Copper Company (1866-1873) became the world’s biggest mining company followed by The Rio Tinto Company limited (RTCL), which then became the largest company for the next 50 years. The RTCL also purchased land adjacent to the main docks in the capital Huelva, the Rio Tinto, surrounding fields and settlement and the eastern side of the existing railway lines. Some of these strategic moves would determine the city’s future urban growth and development, forcing the city to grow further north constrained by the Tinto and Odiel river flood plains.

The RTCL developed an unusual combination of buildings across the region with a strong English character and some adopted vernacular elements. During this period, steel bridges, peers and docks as well as various buildings and mine barracks, terrace, semi-detached and detached houses designed by the company’s architect, Alan Brace, began to emerge across the landscape. Other excellent examples of this period were the Hotel Colon built in 1883 developed by Wilhelm Sundheim and Hugh Mathenson and designed by Jose Perez Santa Maria & Andres Mora, and the Reina Victoria neighbourhood.

Around 1880 the RTCL became aware of the Punta Umbria beach adjacent to a small fishing village as Guillermo Sundheim, the company’s local manager, had built a small bungalow by the beach to enjoy the unspoiled surroundings.

The company decided to make it a retreat for the company’s executives to have a break from the sulphurous air surrounding the mines and so successful was this move to the beach, that from 1882-1895, up to 11 buildings were built, the last two, erected under the direction of J.Clayton, setting a new regional trend around the bungalow type that has endured until recent times.

In next month’s second instalment we will look in more detail at methods of construction and the continuing legacy of colonial architectural influences which endures to this day.

Fernando Collado Lopez is an ARB registered architect who joined Planning & Design Practice in February 2019. Previously working in the private sector in a variety of practices and locations including United States of America, Spain and London.

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