Eurovision – 12 points to Liverpool!

Eurovision

With Liverpool hosting Europe’s biggest party, Shaun Hyde, part of our Planning team looks at how the Eurovision song contest has shone the spotlight on the city’s iconic architecture.

All eyes were on Liverpool last weekend as it welcomed the Eurovision Song Contest to the banks of the River Mersey on behalf of Ukraine. The Contest saw a week-long series of celebrations throughout the city. Liverpool embraced the opportunity to host for Ukraine, with the city not letting you forget who this celebration was for. Iconic city landmarks including the Liver Building, the Museum of Liverpool and the Radio City tower were illuminated with the blue and yellow of Ukraine’s flag throughout the festival. The M&S Bank Arena hosted the live shows during the course of the week, but plenty of activities had spilled out across the city. Having Liverpool host Eurovision seems fitting when you consider how intertwined its musical heritage is with the city’s sense of place.
Across the city centre, 12 large Soloveiko Songbirds made up an educational trail around the city. Each songbird had unique plumage and was accompanied by audio soundscapes to represent the different regions of Ukraine. The mundane hustle and bustle of city centre life was injected with vibrantly coloured street scenes, complimented by the outfits that have become synonymous with Eurovision fans. Every pub, bar, restaurant and shop was decorated with bunting and Ukrainian flags. This vibrancy was underpinned by a feeling of pride, excitement and celebration. The sense of festivity and enthusiasm culminated along the iconic waterfront.

Pier Head hosted the Eurovision Village, a fan-orientated area complete with a large stage, that saw both Ukrainian and British acts perform during the course of the week. The Village acted as the focal point for all things Eurovision; the main hub for fans wanting to soak up the celebratory atmosphere. The village included a ‘Discover Ukraine’ area, which provided the opportunity to embrace aspects of Ukrainian life, including traditional food and an insight into Ukrainian music culture.

Transforming Pier Head into this hub of activity highlights how public spaces can be multifunctional depending on the circumstances. Pier Head is already a successful public realm that provides both a legible path along Liverpool’s iconic waterfront and a node where people want to stay and appreciate the architecture and scenery. An inviting public realm is the first step in attracting and retaining visitors, which subsequently has a knock on effect on the city economically, with visitors spending money in local shops and attractions. Having the waterfront as the backdrop for the fan village, placed one of Liverpool’s most recognisable pieces of architecture at the forefront of the Contest’s coverage.

Heading along the waterfront from the Eurovision Village, visitors could appreciate the Museum of Liverpool’s musical piano key steps. This interactive experience proved to be popular with families with young children, a nice touch to ensure people of all ages could appreciate the activities.

The Albert Dock, which itself is a prime example of how urban regeneration can breathe new life into a dilapidated area, was a hive of activity. The numerous bars and restaurants that line the dock were all busy with visitors, plenty of whom were sporting different flags and face paints supporting their respective nations. The shape of the dock means that people can appreciate different sight lines of the waterfront and the rest of the city, compared to the linear nature of following the promenade along the river. Similar to Pier Head, the atmosphere here was one of unity and togetherness, personifying the motto for this years Contest “United by Music”.

The benefits of hosting large scale events such as Eurovision, in such a successful manner, cannot be understated. It allows a city to cement their identity and culture to a far-reaching audience, which can potentially be used to rebrand itself. For Liverpool, it was an opportunity to put on a great show on behalf of Ukraine, successfully embracing both Ukrainian culture and the vibrancy that is typical of Eurovision. Future Eurovision host cities will look to Liverpool as the benchmark. As a city with so much musical heritage, Liverpool relished the opportunity to host Europe’s biggest party.

Shaun Hyde, Planner, Planning & Design Practice Ltd

Everton’s £500 million new stadium given council approval

PDP_Everton New Stadium

Everton Football Club’s 25 year search for a new stadium has reached a key milestone, writes keen Everton fan and Planning & Design Practice Ltd Director Richard Pigott. Planning applications for a new stadium at Bramley-Moore Dock and a community-led legacy project at Goodison Park were unanimously approved by Liverpool City Council at a meeting last month.

The decision to grant approval for a new 52,888-capacity waterfront stadium and the outline application for a re-imagined Goodison Park (the club’s home since 18925) brings both projects a significant step closer. Everton worked closely with the Liverpool Planning Authority, Historic England and other stakeholders for the past 12-months as part of the planning application process, and for around 2 years prior to that.

It was not all plain sailing though. Historic England said that while it supports Everton’s need for a “state-of-the-art” stadium and the benefits it could bring, it advised the council to refuse the application. In a statement, it said the plan to infill the dock would “fundamentally change its historic character” and result in “substantial harm” to the significance of the Grade II listed dock. It added it could also damage the waterfront’s World Heritage Site status.

However, the LPA considered that the significant social and economic public benefits of the new stadium outweighed the harm to the heritage assets of the site, also noting that the club had committed to spending £55m in preserving and celebrating the heritage assets as well as creating a heritage centre around the currently derelict Hydraulic Tower. The club had also amended the proposals, including removing the multi-storey car park from the west quay, thus creating a stepped plaza forming a key part of the site’s public realm which can be used on non-matchdays, and by reducing the overall height of the stadium in line with Liverpool City Council’s World Heritage Site Supplementary Planning Document.

The Secretary of State will now decide whether to overturn or uphold the committee’s decision, and the UNESCO World Heritage status will be reviewed later this year. This is standard practice for a development of this size and scale and the Government will have an initial 21 days to review the application before reaching a decision.

Watch this space.

For more information and images please visit https://www.peoples-project.co.uk/

Main Image: The People’s Project, Pattern Design

Everton stadium plans ‘a risk’ to Liverpool UNESCO status?

PDP_Liverpool UNESCO

What do Derby’s Landmark building and the proposed new Everton Football Club stadium in Liverpool have in common? The answer is that both have UNESCO World Heritage Site designations to contend with, writes Richard Pigott, Director at Planning & Design Practice Ltd.

In the case of the Landmark building a number of heritage bodies including Historic England consider that the Derwent Valley Mills World Heritage Site will be adversely affected by the proposed 17 storey residential building adjacent to St Alkmund’s Way, meaning a decision is yet to be reached nearly 2 years after the application was submitted. In Everton’s case, they plan to relocate to a site in the Liverpool – Maritime Mercantile City World Heritage Site.

As a lifelong Everton fan I am taking a keen interest in the planning application for Everton’s proposed new £500 million, 52,000 seat stadium submitted just before Christmas. It is proposed to relocate the club’s home from the historic Goodison Park to a site 1.5 miles to the west known as Bramley Moore Dock which is part of the docklands to the north of Liverpool which bears witness to the development of one of the world’s major trading centres in the 18th and 19th centuries.

UNESCO bestowed its prestigious ‘World Heritage Site’ title in 2004 but in recent years the scale of development in Liverpool has resulted in UNESCO placing the city on the danger list of losing their cherished moniker. The committee has cited “extreme concern” at the prospect of continued development of the historic docks despite the fact that many of them are currently empty, derelict and closed to the general public.

Critics of the WHS designation say that it’s a title which sounds impressive, but in reality delivers very little and that if the development of Liverpool Waters means the city has to forfeit its UNESCO status then so be it.

The planning application was only submitted on 23rd December so it is still very early days but Everton’s two stage public consultations saw more than 63,000 respondents take part and is widely recognised for being the largest commercial public consultation in the City of Liverpool’s history. The consultation has revealed overwhelming public support both for the siting and design of the stadium and the proposed redevelopment of Goodison Park for a community-led mixed use legacy project. Liverpool City Council has also pledged its support to the scheme, citing the regeneration benefits it will bring.

Everton state that the proposal would have a transformational impact on North Liverpool, kick-starting the regeneration of the northern docklands, contributing a £1bn boost to the city region’s economy, creating up to 15,000 jobs and attracting 1.4m visitors to the city each year.

However, the heritage issues involved make this a very interesting case and I will be keeping an eye on how the main parties respond to the proposal over the coming months.

Centre Image: The People’s Project, Pattern Design

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